GRADE 6 KLB VISIONARY ART AND CRAFT
SCHEME OF WORK TERM 1 2023
SCHOOL |
GRADE |
LEARNING AREA |
TERM |
YEAR |
|
GRADE 6 |
ART AND CRAFT |
1 |
2023 |
Week |
Lesson |
Strand /Theme |
Sub-strand |
Specific-Learning outcomes |
Key Inquiry Question(S) |
Learning/ Teaching Experience |
Learning Resources |
Assessment Methods |
Reflection |
1 |
1 |
Picture Making |
Drawing; Stippling Technique |
By the end of the sub-strand, the learner should be able to:
|
What pictures have you identified from the digital device? How is shading achieved in the pictures? |
Learners are guided to define the meaning of stippling technique. In groups, learners are guided to watch a video on how to shade using stippling technique. |
KLB Art and Craft Learner’s Book Grade 6 pg. 1-2 |
Oral questions Oral Report Observation |
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|
2 |
Picture Making |
Creating dark and light effect using stippling technique |
By the end of the sub-strand, the learner should be able to:
|
Why do some parts in the drawing appear light and others dark? How are the dark and light parts created in the picture? |
Learners are guided to list the materials and tools needed to create dark and light effect using stippling technique. Learners are guided to outline the steps to follow when creating dark and light effect using stippling technique. Learners are guided to practice gradual change from dark to light using stippling technique. |
KLB Art and Craft Learner’s Book Grade 6 pg. 3-4 |
Oral questions Oral Report Observation |
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|
3 |
Picture Making |
Drawing an imaginative composition; Balance forms Proportion of forms
|
By the end of the sub-strand, the learner should be able to:
|
How has balance of forms been achieved in the composition? Why is proportion of forms important when drawing a composition? |
Learners are guided to define the meaning of balance of forms and proportion of forms. Learners are guided to drawing a calabash and a guard, ensuring correct balance forms and proportion of the forms. |
KLB Art and Craft Learner’s Book Grade 6 pg. 4-6 |
Oral questions Oral Report Observation |
|
2 |
1 |
Picture Making |
Textural effects |
By the end of the sub-strand, the learner should be able to:
|
What type of texture can you identify in the composition? How were the textural effects created? |
Learners are guided to define the meaning of textural effect. Learners are guided to practice creating varying textural effects on the drawings using stippling technique. |
KLB Art and Craft Learner’s Book Grade 6 pg. 6-7 |
Oral questions Oral Report Observation |
|
|
2 |
Picture Making |
How to draw overlapped forms and shade using stippling technique.
|
By the end of the sub-strand, the learner should be able to:
|
What is the meaning of overlapping of forms? |
Learners are guided to outline the steps to follow when drawing overlapped forms and shade using stippling technique. Learners are guided to draw overlapped forms and shade using stippling technique. |
KLB Art and Craft Learner’s Book Grade 6 pg. 7-10 |
Oral questions Oral Report Observation |
|
|
3 |
Picture Making |
Imaginative Composition |
By the end of the sub-strand, the learner should be able to:
|
How is shading achieved in the drawing? |
Learners are guided to define the meaning of imaginative composition. In groups, learners are guided to observe virtual samples of imaginative composition of fruits. |
KLB Art and Craft Learner’s Book Grade 6 pg. 11 |
Oral questions Oral Report Observation |
|
3 |
1 |
Picture Making |
Drawing an imaginative composition; Textural effect |
By the end of the sub-strand, the learner should be able to:
|
How to achieve balance of forms in an imaginative composition? |
Learners are guided to identify textural composition in a drawing composition. Learners are guided to create textural effects and achieve balance of forms on a drawing of a twig, leaves and fruits using stippling technique, |
KLB Art and Craft Learner’s Book Grade 6 pg. 12-13 |
Oral questions Oral Report Observation |
|
|
2 |
Picture Making |
Proportion of forms |
By the end of the sub-strand, the learner should be able to:
|
How is the proportion of forms been achieved in the composition? |
Learners are guided to identify proportion of forms in a drawing composition. Learners are guided to draw a composition of a twig with two leaves and a fruit from imagination and shade the composition using the stippling technique. |
KLB Art and Craft Learner’s Book Grade 6 pg. 13-15 |
Oral questions Oral Report Observation |
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|
3 |
Picture Making |
Painting; Imaginative Composition |
By the end of the sub-strand, the learner should be able to:
|
What is the story in the painting? What do you think the artist who painted the composition wanted to express? |
Learners are guided to define the meaning of painting. In pairs, learners are guided to analyse examples of imaginative composition paintings from a digital device. |
KLB Art and Craft Learner’s Book Grade 6 pg. 16-18 |
Oral questions Oral Report Observation |
|
4 |
1 |
Picture Making |
Materials and tools used in painting |
By the end of the sub-strand, the learner should be able to:
|
How do you make painting brushes? |
Learners are guided to identify the materials and tools used in paintings. Learners are guided to use locally available materials to make his/her own painting brushes. Learners are guided to outline the process to make an improvised painting brush. |
KLB Art and Craft Learner’s Book Grade 6 pg. 18-19 |
Oral questions Oral Report Observation |
|
|
2 |
Picture Making |
Palettes for mixing paint |
By the end of the sub-strand, the learner should be able to:
|
How do you make palettes for mixing paints? |
Learners are guided to identify palettes for mixing paint. Learners are guided to prepare the materials by trimming, shaping, cutting or applying white paint in readiness for painting. |
KLB Art and Craft Learner’s Book Grade 6 pg. 19-20 |
Oral questions Oral Report Observation |
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|
3 |
Picture Making |
Painting on imaginative composition; Centre of interest in a painting |
By the end of the sub-strand, the learner should be able to:
|
What is the meaning of centre of interest in a painting? |
Learners are guided to define the meaning of centre of interest in a painting. In groups or in pairs, learners are guided to observe actual or virtual samples of paintings that have centre of interest. Learners are guided to create a centre of interest in a painting using various methods. |
KLB Art and Craft Learner’s Book Grade 6 pg. 20 |
Oral questions Oral Report Observation |
|
5 |
1 |
Picture Making |
How to create Tonal Value in Painting |
By the end of the sub-strand, the learner should be able to:
|
Why are some parts of the forms dark and others light? How can you create tonal value on forms in a painting? |
Learners are guided to identify the areas with light and dark tone in the composition. Learners are guided to create tonal value on forms in a painting. |
KLB Art and Craft Learner’s Book Grade 6 pg. 21 |
Oral questions Oral Report Observation |
|
|
2 |
Picture Making |
Proportion in Painting |
By the end of the sub-strand, the learner should be able to:
|
How can you ensure proportionality of forms when painting a composition? |
Learners are guided to define the meaning of proportion in painting. Learners are guided to paint an imaginative composition based on a sports activity. |
KLB Art and Craft Learner’s Book Grade 6 pg. 21-24 |
Oral questions Oral Report Observation |
|
|
3 |
Picture Making |
Montage; Pictorial composition |
By the end of the sub-strand, the learner should be able to:
|
What is the meaning of montage composition? What are the characteristics of montage composition? |
Learners are guided to define the meaning of montage. In groups, learners are guided to discuss the characteristics of montage composition. |
KLB Art and Craft Learner’s Book Grade 6 pg. 25-26 |
Oral questions Oral Report Observation |
|
6 |
1 |
Picture Making |
Interpretation of subject matter |
By the end of the sub-strand, the learner should be able to:
|
How to interpret subject matter of a montage composition? |
Learners are guided to identify the materials used to make montage composition. In groups, learners are guided to interpret subject matter of montage composition. In groups, learners are guided to use digital devices to visit a number of websites showing montage pictures and learn more about this technique of picture making. |
KLB Art and Craft Learner’s Book Grade 6 pg. 26-27 |
Oral questions Oral Report Observation |
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|
2 |
Picture Making |
Mounting surfaces |
By the end of the sub-strand, the learner should be able to:
|
What are mounting surfaces? How to prepare mounting surfaces for making montage compositions? |
Learners are guided to identify mounting surfaces. In groups, learners are guided to collect and prepare mounting surfaces for making montage compositions. |
KLB Art and Craft Learner’s Book Grade 6 pg. 27-29 |
Oral questions Oral Report Observation |
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|
3 |
Picture Making |
How to create a montage pictorial composition on wild animals |
By the end of the sub-strand, the learner should be able to:
|
How do you create a montage pictorial composition on wild animals? |
Learners are guided to outline the procedure to follow when creating a montage composition based on wild animals. Learners are guided to create a montage composition based on wild animals. |
KLB Art and Craft Learner’s Book Grade 6 pg. 29-33 |
Oral questions Oral Report Observation |
|
7 |
1 |
Indigenous Kenyan Crafts |
Basketry; Coil and stitch technique |
By the end of the sub-strand, the learner should be able to:
|
What other man-made and natural materials can be used in basketry? What man-made and natural materials in your locality can be used for coil and stitch technique? |
Learners are guided to identify coil and stitch technique. Learners are guided to classify the materials used in coil and stitch technique into natural and man-made. In groups, learners are guided to use digital devices to watch a video on samples of basketry items. |
KLB Art and Craft Learner’s Book Grade 6 pg. 34-36 |
Oral questions Oral Report Observation |
|
|
2 |
Indigenous Kenyan Crafts |
Types of coils |
By the end of the sub-strand, the learner should be able to:
|
What types of coils are used in coil and stitch technique? How to maintain uniformity of coils? |
Learners are guided to identify types of coil used in coil and stitch technique. Learners are guided to state the importance of maintaining uniformity of coils. In pairs, learners are guided to arrange the items collected in terms of uniformity of coils in a decreasing order. |
KLB Art and Craft Learner’s Book Grade 6 pg. 36-38 |
Oral questions Oral Report Observation |
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|
3 |
Indigenous Kenyan Crafts |
Selecting and collecting materials for coil and stitch technique |
By the end of the sub-strand, the learner should be able to:
|
What do you consider when selecting materials for coil and stitch technique? |
Learners are guided to define the meaning of good craftsmanship. Learners are guided to identify the characteristics for selecting materials for making a floor mat. In groups, learners are guided to select and collect materials for coil and stitch technique. |
KLB Art and Craft Learner’s Book Grade 6 pg. 38-39 |
Oral questions Oral Report Observation |
|
8 |
1 |
Indigenous Kenyan Crafts |
Preparation of materials used in coil and stitch technique basketry; Natural materials |
By the end of the sub-strand, the learner should be able to:
|
How to prepare natural materials used in coil and stitch technique? |
Learners are guided to identify natural materials used in coil and stitch technique. Learners are guided to identify the method of preparation of natural materials used in coil and stitch technique. In groups, learners are guided to prepare natural materials used in coil and stitch technique. |
KLB Art and Craft Learner’s Book Grade 6 pg. 39-40 |
Oral questions Oral Report Observation |
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|
2 |
Indigenous Kenyan Crafts |
Preparation of materials used in coil and stitch technique basketry; Man-made materials |
By the end of the sub-strand, the learner should be able to:
|
How to prepare man-made materials used in coil and stitch technique? |
Learners are guided to identify man-made materials used in coil and stitch technique. Learners are guided to identify the method of preparation of man-made materials used in coil and stitch technique. In groups, learners are guided to prepare the materials selected depending on their type and the design of the floor may he/she is making by dyeing, tearing then plating or rolling. |
KLB Art and Craft Learner’s Book Grade 6 pg. 40-44 |
Oral questions Oral Report Observation |
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|
3 |
Indigenous Kenyan Crafts |
Leatherwork; Beaded leather wristband |
By the end of the sub-strand, the learner should be able to:
|
What is the difference between modern and traditional beaded leather wrist band? What are the materials and tools used in creating wristbands? |
Learners are guided to define a wristband. In pairs, learners are guided to differentiate between modern and traditional beaded items. In pairs, learners are guided to observe actual or virtual samples of beaded leather wristbands. |
KLB Art and Craft Learner’s Book Grade 6 pg. 45-47 |
Oral questions Oral Report Observation |
|
9 |
1 |
Indigenous Kenyan Crafts |
Sourcing of leather; Preparing leather for use in making a wristband; Making a beaded leather wristband |
By the end of the sub-strand, the learner should be able to:
|
How do you prepare leather for use in making a wristband? How to make a beaded leather wristband? |
Learners are guided to outline the steps to follow when preparing leather for use in making a wristband. Learners are guided to list the materials and tools used to make a beaded leather wristband. Learners are guided to outline the procedure to follow when making a leather wristband. In groups, learners are guided to make a beaded leather wristband. |
KLB Art and Craft Learner’s Book Grade 6 pg. 47-50 |
Oral questions Oral Report Observation |
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|
2 |
Indigenous Kenyan Crafts |
Creating the patterns on a wristband |
By the end of the sub-strand, the learner should be able to:
|
How do you design patterns on a wristband? |
Learners are guided to identify different patterns on wristbands. In groups, learners are guided to observe actual or virtual samples of different patterns on wristbands. In groups, learners are guided to create the patterns on wristbands. |
KLB Art and Craft Learner’s Book Grade 6 pg. 50-53 |
Oral questions Oral Report Observation |
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3 |
Indigenous Kenyan Crafts |
Procedure of using lazy stitched strung beads to decorate a wristband
|
By the end of the sub-strand, the learner should be able to:
|
How do you decorate a leather wristband? |
Learners are guided to outline the procedure of using lazy stitched strung beads to decorate a wristband. In groups, learners are guided to decorate leather wristbands using lazy stitched strung beads. |
KLB Art and Craft Learner’s Book Grade 6 pg. 53-55 |
Oral questions Oral Report Observation |
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10 |
ASSESSEMENT |