Displaying items by tag: Music
Music Schemes - Grade 3 Schemes of Work Term 2 2023
Week |
Lesson |
Strand |
Sub-Strand |
Specific Learning Outcome |
Key Inquiry Question |
Learning Experiences |
Learning Resources |
Assessment |
Remarks |
1 |
1 |
Performing |
Songs |
By the end of the of the sub strand the learner should be able to: observe safety during performance of signed singing games |
Name some of the materials or objects used during play |
Learners practice signed singing games with coordinated body movements. Practice and performance could be done in pairs and in groups to encourage team work and responsibility. |
Costumes and props Audio-visual excerpts of relevant music |
Signed questions, portfolio, observation, check lists, adjudication using performance rubric |
|
2 |
1 |
Performing |
Songs |
By the end of the of the sub strand the learner should be able to: practice game etiquette and share available resources equitably during the performance of signed singing games |
Name some of the materials or objects used during play |
Learners are guided to observe safety while performing signed singing games. Individually and in groups, learners observe game etiquette and share available resources equitably while performing signed singing games |
Costumes and props Audio-visual excerpts of relevant music |
Signed questions, portfolio, observation, check lists, adjudication using performance rubric |
|
3 |
1 |
Musical Instruments |
Musical Instruments |
By the end of the of the sub-strand the learner should be able to: name different types of improvised string instruments |
Which part of the body do you use when playing string instruments? Would you prefer to play the instrument alone or with friends? |
Individually and in groups’ learners imitate playing of different string instruments. Learners are guided to apply the skills of playing different string instruments that is: holding, plucking/striking, bowing and strumming Individually and in groups’ learners imitate playing of different string instruments. Learners are guided to apply the skills of playing different string instruments that is: holding, plucking/striking, bowing and strumming |
Audio-visual excerpts of Music featuring instruments Audio-visual equipment Musical instruments Charts/pictures Locally available materials for improvising instruments |
Signed questions, portfolio, observation, check lists, adjudication using performance rubric. |
|
4 |
1 |
Musical Instruments |
Musical Instruments |
By the end of the of the sub strand the learner should be able to: visually identify string instruments the skills of playing string instruments |
Which part of the body do you use when playing string instruments? Would you prefer to play the instrument alone or with friends? |
In groups and individually learners are guided to improvise different string instruments (mouth bows, ground bows and fiddles) while observing safety |
Audio-visual excerpts of Music featuring instruments Audio-visual equipment Musical instruments Charts/pictures Locally available materials for improvising instruments |
Signed questions, portfolio, observation, check lists, adjudication using performance rubric. |
|
5 |
1 |
Musical Instruments |
Musical Instruments |
By the end of the of the sub strand the learner should be able to: use locally available materials to make string instruments |
Which part of the body do you use when playing string instruments? Would you prefer to play the instrument alone or with friends? |
Learners accompany familiar songs using improvised string instruments such as mouth bows, ground bows and fiddles matching their strokes to the tempo of the song. |
Audio-visual excerpts of Music featuring instruments Audio-visual equipment Musical instruments Charts/pictures Locally available materials for improvising instruments |
Signed questions, portfolio, observation, check lists, adjudication using performance rubric. |
|
6 |
1 |
Musical Instruments |
Musical Instruments |
By the end of the of the sub strand the learner should be able to: use improvised string instruments to accompany songs |
Which part of the body do you use when playing string instruments? Would you prefer to play the instrument alone or with friends? |
Learners have fun playing improvised percussion, wind and string instruments in an ensemble (Green band) each trying out different string instruments |
Audio-visual excerpts of Music featuring instruments Audio-visual equipment Musical instruments Charts/pictures Locally available materials for improvising instruments |
Signed questions, portfolio, observation, check lists, adjudication using performance rubric. |
|
7 |
1 |
Musical Instruments |
|
By the end of the of the sub strand the learner should be able to: use improvised percussion, wind and string instruments in an ensemble |
Which part of the body do you use when playing string instruments? Would you prefer to play the instrument alone or with friends? |
Learners have fun playing improvised percussion, wind and string instruments in an ensemble (Green band) each trying out different string instruments |
Audio-visual excerpts of Music featuring instruments Audio-visual equipment Musical instruments Charts/pictures Locally available materials for improvising instruments |
Signed questions, portfolio, observation, check lists, adjudication using performance rubric. |
|
8 |
1 |
|
Dance |
By the end of the of the sub-strand the learner should be able to: use body movements that are part of daily experience in a variety of ways in dance use dance to express ideas feelings, and emotions |
What everyday body movements do you do throughout the day |
Learners are exposed to various relevant live performances and recordings of dances for experience and appreciation |
Audio-visual excerpts of dance Musical instruments Costumes and decor Resource persons Locally available materials for improvising instruments |
Signed questions, portfolio, observation, check lists, adjudication using performance rubric |
|
9 |
1 |
|
Dance |
By the end of the of the sub strand the learner should be able to: move body zones and body parts appropriately in response to music apply locomotor and non-locomotor movements to create own dance |
Which parts of the body are commonly used when dancing |
Learners are guided on the use of different body zones and body parts to express ideas feelings, and emotions in dance |
Audio-visual excerpts of dance Musical instruments Costumes and decor Resource persons Locally available materials for improvising instruments |
Signed questions, portfolio, observation, check lists, adjudication using performance rubric |
|
10-11 |
END OF TERM ASSESSMENT AND CLOSING |
Music Schemes - Grade 3 Schemes of Work Term 1 2023
Week |
Lesson |
Strand |
Sub strand |
Specific learning outcome |
Key inquiry question |
Learning experiences |
Learning resources |
Assessment |
Remarks |
1 |
1 |
PERFOR MING |
Songs |
By the end of the of the sub strand the learner should be able to: identify different types of songs performed for different purposes in the community; |
During which occasions do you sing? |
Learners are guided to observe a variety of live or recorded songs and be probed to identify possible occasions of performance of the songs. |
Audio-visual excerpts of relevant music Musical instruments Print music material- Music scores, song books Resource persons Recording devices |
Signed questions, portfolio, observation, check lists, adjudication using performance rubric |
|
2 |
1 |
PERFOR MING |
Songs |
By the end of the of the sub strand the learner should be able to: sing a variety of age appropriate songs in unison paying attention to accuracy |
During which occasions do you sing? |
Learners sign sing various types of songs: Kenyan folksongs, lullabies, patriotic songs, action songs, sacred songs and topical songs on pertinent and contemporary issues in unison paying attention to accuracy in rhythm |
Audio-visual excerpts of relevant music Musical instruments Print music material- Music scores, song books Resource persons Recording devices |
Signed questions, portfolio, observation, check lists, adjudication using performance rubric |
|
3 |
1 |
PERFOR MING |
Songs |
By the end of the of the sub strand the learner should be able to: sign sing all verses of the Kenya National Anthem in English Kiswahili for cohesion and peaceful coexistence |
When is the national anthem sung? How should we behave when singing the national anthem? |
Learners are guided in watching/listening to live or recorded performance of the three verses of the Kenyan national Anthem with keen interest in posture and text Learners are guided in sign singing all the verses of the Kenya National Anthem in English paying attention to posture and appropriate etiquette |
Audio-visual excerpts of relevant music Musical instruments Print music material- Music scores, song books Resource persons Recording devices |
Signed questions, portfolio, observation, check lists, adjudication using performance rubric |
|
4 |
1 |
PERFOR MING |
Songs |
By the end of the of the sub strand the learner should be able to: sign sing 3-part rounds, keeping to the respective parts for enjoyment |
When is the national anthem sung? How should we behave when singing the national anthem? |
Learners are guided individually and in groups to sign sing 3part rounds paying attention to entries and keeping to respective part. |
Audio-visual excerpts of relevant music Musical instruments Print music material- Music scores, song books Resource persons Recording devices |
Signed questions, portfolio, observation, check lists, adjudication using performance rubric |
|
5 |
1 |
PERFOR MING |
Songs |
By the end of the of the sub strand the learner should be able to: execute the elements of music while singing |
Which songs do you sing during different occasions such as birthdays |
While sign singing learners are guided in applying tools and techniques of musicianship such as good posture, and clear signing techniques |
Audio-visual excerpts of relevant music Musical instruments Print music material- Music scores, song books Resource persons Recording devices |
Signed questions, portfolio, observation, check lists, adjudication using performance rubric |
|
6 |
1 |
PERFOR MING |
Songs |
By the end of the of the sub strand the learner should be able to: use signing techniques in singing a variety of songs for effective communication |
What do some of the songs you sing at home/school talk about? |
Individually or in groups learners are guided in sign singing a variety of songs paying attention to the elements of music such as beat, and rhythm |
Audio-visual excerpts of relevant music Musical instruments Print music material- Music scores, song books Resource persons Recording devices |
Signed questions, portfolio, observation, check lists, adjudication using performance rubric |
|
7 |
1 |
PERFOR MING |
Songs |
By the end of the of the sub strand the learner should be able to: express ideas, feelings and emotions through sign singing |
What do some of the songs you sing at home/school talk about? |
Individually or in groups learners are guided in sign singing a variety of songs paying attention to the elements of music such as beat, and rhythm |
Audio-visual excerpts of relevant music Musical instruments Print music material- Music scores, song books Resource persons Recording devices |
Signed questions, portfolio, observation, check lists, adjudication using performance rubric |
|
8 |
1 |
|
Signed Singing games |
By the end of the of the sub strand the learner should be able to: perform various signed singing games drawn from local and other cultures |
Do you sing as you play? What songs do you sing during play? |
Learners are guided to watch a variety of live or recorded singing games from the locality and from other cultures |
Costumes and props Audio-visual excerpts of relevant music |
Signed questions, portfolio, observation, check lists, adjudication using performance rubric |
|
9 |
1 |
|
Signed Singing games |
By the end of the of the sub strand the learner should be able to: the aspects of signed, movement, game, props and costumes in performing signed singing games |
Do you sing as you play? What songs do you sing during play? |
Learners perform age appropriate signed singing games with game aspects, movements and proper use of props and costumes observing safe |
Costumes and props Audio-visual excerpts of relevant music |
Signed questions, portfolio, observation, check lists, adjudication using performance rubric |
|
10 |
1 |
|
Signed Singing games |
By the end of the of the sub strand the learner should be able to: performs signed singing games with coordinated body movements |
What roles do you like taking when performing singing games? |
Learners perform age appropriate signed singing games with game aspects, movements and proper use of props and costumes observing safe |
Costumes and props Audio-visual excerpts of relevant music |
Signed questions, portfolio, observation, check lists, adjudication using performance rubric |
|
Music Schemes - Grade 2 Schemes of Work Term 3 2023
WEEK |
LESSON |
STRAND |
SUB-STRAND |
SPECIFIC LEARNING OUTCOMES |
KEY INQUARY QUESTIONS |
LEARNING EXPERIENCES |
LEARNING RESOURCES |
ASSESSMENT |
REFLECTION |
|
1 |
1 |
CREATING/ COMPOSING |
Melody |
By the end of the lesson the learner should be able to: identify melodic variations in familiar simple tunes in preparation for own compositions, |
How can one tell if a tune has changed? |
Familiar tunes are played/sang with minimal variations and learners are guided to identify the variations |
Regalia charts |
Observation Oral questions |
|
|
2 |
1 |
|
Melody |
By the end of the lesson the learner should be able to: improvise simple melodic variations on familiar tunes as a foundation for composition and for enjoyment |
How can one tell if a tune has changed? |
In groups and individually, learners use new words to familiar tunes |
Regalia charts |
Observation Oral questions |
|
|
3 |
1 |
|
Melody |
By the end of the lesson the learner should be able to: improvise new words to known tunes for creativity |
How can a familiar tune be made more interesting? |
In groups and individually, learners use new words to familiar tunes |
Regalia charts |
Observation Oral questions |
|
|
4 |
1 |
|
Melody |
By the end of the lesson the learner should be able to: appreciate own and others compositions |
How can a familiar tune be made more interesting? |
Learners are guided in singing own melodic variations and those of others |
Regalia charts |
Observation Oral questions |
|
|
5 |
1 |
LISTENING AND RESPONDING |
Elements of Music |
By the end of the lesson the learner should be able to: express initial personal reactions to musical performances for self- expression |
What is the source of the sound in the music? Is it from an instrument or voice? |
Learners listen to live/recorded music from ICT devices for appreciation |
Regalia charts |
Observation Oral questions |
|
|
6 |
1 |
|
Elements of Music |
By the end of the lesson the learner should be able to: imitate short melodies with accuracy in pitch and rhythm for aural acuity development, |
What is the source of the sound in the music? Is it from an instrument or voice? |
Short melodies are played and learners asked to imitate observing accuracy in pitch and rhythm |
Regalia charts |
Observation Oral questions |
|
|
7 |
1 |
|
Elements of Music |
By the end of the lesson the learner should be able to: relate specific music to appropriate events in the community for effective communication |
How does the music make you feel |
Learners sing familiar topical songs with appropriate expression such as sad or happy in relation to the text |
Regalia charts |
Observation Oral questions |
|
|
8 |
1 |
|
Elements of Music |
By the end of the lesson the learner should be able to: respond to live or recorded performances with appropriate audience behaviour to enhance etiquette |
How does the music make you feel |
Learners are guided to listen to and relate specific music to appropriate events. |
Regalia charts |
Observation Oral questions |
|
|
9&10 |
ASSESSMENT |
Music Schemes - Grade 2 Schemes of Work Term 2 2023
Week |
Lesson |
Strand |
Sub-Strand |
Specific Learning Outcome |
Key Inquiry Question |
Learning Experiences |
Learning Resources |
Assessment |
Remarks |
1 |
|
|
Musical Instruments |
By the end of the sub-strand the learner should be able to: name different types of wind instrument |
Which instruments are played by blowing? Which part of the body do you use when playing wind instruments? |
Learners watch videos/pictures of different types of wind instruments being played. Learners watch audio-visual recordings of instruments and guided in identifying the instruments visually. |
Signed questions, portfolio, observation, check lists, adjudication using performance rubric |
Musical instruments Locally available materials for improvising instruments Audiovisual excerpts of relevant music |
|
2 |
|
|
Musical Instruments |
By the end of the Sub strand the learner should be able to identify different improvised wind instruments visually and aurally used to accompany song and dance |
Which instruments are played by blowing? Which part of the body do you use when playing wind instruments? |
Learners watch videos/pictures of different types of wind instruments being played. Learners watch audio-visual recordings of instruments and guided in identifying the instruments visually. |
Signed questions, portfolio, observation, check lists, adjudication using performance rubric |
Musical instruments Locally available materials for improvising instruments Audiovisual excerpts of relevant music |
|
3 |
|
|
Musical Instruments |
By the end of the Sub strand the learner should be able to demonstrate the ability to play a wind instrument for confidence |
Would you prefer to play the instrument alone or with friends? How do you feel playing different instruments |
Learners are guided to apply appropriate skills of holding, blowing, fingering and breath control when playing different wind instruments such as pipes, whistles, recorder and bottles. Individually and in groups, learners improvise different wind instruments as accompaniment. |
Signed questions, portfolio, observation, check lists, adjudication using performance rubric |
Musical instruments Locally available materials for improvising instruments Audiovisual excerpts of relevant music |
|
4 |
|
|
Musical Instruments |
By the end of the Sub strand the learner should be able to improvise accompaniments to songs and dances using improvised wind instrument for creativity and imagination |
Would you prefer to play the instrument alone or with friends? How do you feel playing different instruments |
Learners are guided to apply appropriate skills of holding, blowing, fingering and breath control when playing different wind instruments such as pipes, whistles, recorder and bottles. Individually and in groups, learners improvise different wind instruments as accompaniment. |
Signed questions, portfolio, observation, check lists, adjudication using performance rubric |
Musical instruments Locally available materials for improvising instruments Audiovisual excerpts of relevant music |
|
5 |
|
|
Musical Instruments |
By the end of the Sub strand the learner should be able to improvise local music instruments and securely store them for safety; |
Would you prefer to play the instrument alone or with friends? How do you feel playing different instruments |
Learners are guided in observing safety using locally available materials to improvise wind instruments such as reeds, pipes, bottles. |
Signed questions, portfolio, observation, check lists, adjudication using performance rubric |
Musical instruments Locally available materials for improvising instruments Audiovisual excerpts of relevant music |
|
6 |
|
|
Musical Instruments |
By the end of the Sub strand the learner should be able to appreciate own improvised musical instruments and those of others for peaceful co-existence |
Would you prefer to play the instrument alone or with friends? How do you feel playing different instruments |
Learners are guided in observing safety using locally available materials to improvise wind instruments such as reeds, pipes, bottles. |
Signed questions, portfolio, observation, check lists, adjudication using performance rubric |
Musical instruments Locally available materials for improvising instruments Audiovisual excerpts of relevant music |
|
7 |
|
|
Dance |
By the end of the Sub strand the learner should be able to: use body movements that are part of daily experience in a variety of ways in dance for orientation to dance |
Name the Kenyan communities that live in your locality Which dances are performed in the community? |
Learners should be exposed to various relevant live and recordings of dances for experience and appreciation. Learners identify and use body movements that are part of daily experiences such as greetings, waving, digging, grinding, sweeping, and pounding in dance |
Audio-visual excerpts of dance Musical instruments Costumes and props |
Signed questions, portfolio, observation, check lists, adjudication using performance rubric |
|
8 |
|
|
Dance |
By the end of the Sub strand the learner should be able to: record a local dance for digital literacy or perform and record a dance for digital literacy; use dance to express feelings, emotions and ideas for enjoyment |
Name the Kenyan communities that live in your locality Which dances are performed in the community? |
Learners should be exposed to various relevant live and recordings of dances for experience and appreciation. Learners identify and use body movements that are part of daily experiences such as greetings, waving, digging, grinding, sweeping, and pounding in dance |
Audio-visual excerpts of dance Musical instruments Costumes and props |
Signed questions, portfolio, observation, check lists, adjudication using performance rubric |
|
9 |
|
|
Dance |
By the end of the Sub strand the learner should be able to: apply locomotors and non-locomotors movements in own dance for creativity; observe basic elements of dance during performance |
During which occasions are dances performed? |
Learners should be exposed to various relevant live and recordings of dances for experience and appreciation. Learners identify and use body movements that are part of daily experiences such as greetings, waving, digging, grinding, sweeping, and pounding in dance |
Audio-visual excerpts of dance Musical instruments Costumes and props |
Signed questions, portfolio, observation, check lists, adjudication using performance rubric |
|
10 |
|
|
Dance |
By the end of the Sub strand the learner should be able to: observe safety during dance performance; practice etiquette during dance performance for endearment |
During which occasions are dances performed? |
Learners are guided in using functional dance movements to communicate ideas, feelings and emotions. Learners use different body zones and body parts in dance |
Audio-visual excerpts of dance Musical instruments Costumes and props |
Signed questions, portfolio, observation, check lists, adjudication using performance rubric |
|
11 |
END OF TERM ASSESSMENT AND CLOSING |
Music Schemes - Grade 2 Schemes of Work Term 1 2023
WEEK |
LESSON |
STRAND |
SUB STRAND |
SPECIFIC LEARNING OUTCOMES |
KEY INQUARY QUESTIONS |
LEARNING EXPERIENCES |
LEARNING RESOURC ES |
ASSESSMENT |
REFLECTION |
1 |
1 |
PERFORMIN G |
Songs |
By the end of the of the lesson the learner should be able to identify different types of songs performed for different purposes to enhance comprehension |
During which activities do you sing |
Learners name types of songs performed in the community |
Regalia charts |
Observation Oral questions |
|
2 |
1 |
|
Songs |
By the end of the of the lesson the learner should be able to sing a variety of age appropriate songs in unison paying attention to accuracy in pitch and rhythm for enjoyment, |
During which activities do you sing |
Learners are guided to listen to and watch a variety of live or recorded songs and be probed to identify occasions when the songs are performed |
Regalia charts |
Observation Oral questions |
|
3 |
1 |
|
Songs |
By the end of the of the lesson the learner should be able to sing 2-part rounds for enjoyment |
Which songs do you like singing? |
Learners are guided in identifying the beat in familiar songs by tapping, clapping and stamping and vary the tempi and dynamics to express feelings, ideas and emotions while singing |
Regalia charts |
Observation Oral questions |
|
4 |
1 |
|
Songs |
By the end of the of the lesson the learner should be able to sing verse 1and 2 of the Kenya national anthem in English and/or Kiswahili with proper etiquette to enhance patriotism, cohesion and peaceful coexistence |
When is the national anthem sung? |
Learners are guided to sing verse 1 and 2 of the Kenya national anthem in English and /or Kiswahili in unison, paying attention to accuracy in pitch, rhythm, words and the etiquette during |
Regalia charts |
Observation Oral questions |
|
5 |
1 |
|
Songs |
By the end of the of the lesson the learner should be able to execute the elements of music while singing as a basis of musicianship |
What do the songs talk about |
Learners are guided in identifying and discussing salient issues in topical and patriotic songs such as social cohesion, health, safety and values |
Regalia charts |
Observation Oral questions |
|
6 |
1 |
|
Songs |
By the end of the of the lesson the learner should be able to use vocal techniques in singing for effective communication |
What do the songs talk about |
In groups, learners are guided in singing and dramatizing story and action songs |
Regalia charts |
Observation Oral questions |
|
7 |
1 |
|
Songs |
By the end of the of the lesson the learner should be able to express ideas, feelings and emotions through singing for self- expression and effective communication |
What do the songs talk about |
In groups, learners are guided in singing and dramatizing story and action songs |
Regalia charts |
Observation Oral questions |
|
8 |
1 |
|
Singing games |
By the end of the of the lesson the learner should be able to perform various singing games drawn from local and other cultures for enjoyment |
What songs do you sing during play? |
Learners are guided to watch a variety of live or recorded singing games from the locality and from other cultures |
Regalia charts |
Observation Oral questions |
|
9 |
1 |
|
Singing games |
By the end of the of the lesson the learner should be able to apply the aspects of singing, movement, props and costumes in performing singing games to enhance the skills of performance |
What songs do you sing during play? |
In groups and individually, learners collect materials for use as costumes and props in performance of singing games |
Regalia charts |
Observation Oral questions |
|
10 |
1 |
|
Singing games |
By the end of the of the lesson the learner should be able to take precautions during performance of singing games for own and others safety, |
What roles do you like taking when performing singing games |
Learners practice singing games with coordinated body movements Practice and performance could be done in pairs and in groups to encourage team work and responsibility |
Regalia charts |
Observation Oral questions |
|
11 |
1 |
|
Singing games |
By the end of the of the lesson the learner should be able to observe game etiquette for own and others respect, |
What roles do you like taking when performing singing games |
Practice and performance could be done in pairs and in groups to encourage team work and responsibility |
Regalia charts |
Common accidents and Basic First aid |
|
12 |
1 |
|
Singing games |
By the end of the of the lesson the learner should be able to share available resources during performance of singing games for equity and integrity |
What are some of the materials or objects used while playing and singing? |
In groups learners practice game etiquette and share available resources equitably during performance of singing games |
Regalia charts |
Observation Oral questions |
|
13 & 14 |
CAT
|
Music Schemes - Grade 1 Schemes of Work Term 3 2023
WEEK |
LESSON |
STRAND |
SUB-STRAND |
SPECIFIC LEARNING OUTCOMES |
KEY INQUARY QUESTIONS |
LEARNING EXPERIENCES |
LEARNING RESOURCES |
ASSESSMENT |
REFLECTION |
1 |
|
CREATING/ COMPOSIN G MUSIC |
Melody |
By the end of the lesson the learner should be able to: identify melodic sounds from the environment for aural discrimination |
Which animals in the environment make melodic sounds |
Learners listen to sounds in the environment (live or recoded) and are guided to identify rhythmic and melodic sounds |
Regalia charts |
Observation Oral questions |
|
2 |
|
CREATING/ COMPOSIN G MUSIC |
Melody |
By the end of the lesson the learner should be able to identify melodic variations in simple familiar tunes to enhance listening skills and as a basis for composition |
Which animals in the environment make melodic sounds |
Learners imitate sounds made by animals and birds such as the cuckoo and the crested crane |
Regalia charts |
Observation Oral questions |
|
3 |
|
CREATING/ COMPOSIN G MUSIC |
Melody |
By the end of the lesson the learner should be able to: identify melodic variations in simple familiar tunes to enhance listening skills and as a basis for composition |
What is the difference between these sounds |
Learners imitate sounds made by animals and birds such as the cuckoo and the crested crane |
Regalia charts |
Observation Oral questions |
|
4 |
|
CREATING/ COMPOSIN G MUSIC |
Melody |
By the end of the lesson the learner should be able to: create simple melodic variations in familiar tunes as a basis for composition and for enjoyment |
What is the difference between these sounds |
Learners are guided in groups and individually to sing familiar tunes, introducing melodic variations |
Regalia charts |
Observation Oral questions |
|
5 |
|
LISTENING AND RESPONDIN G |
Elements of Music |
By the end of the lesson the learner should be able to: listen and identify sounds in the local environment for aural discrimination |
When you listen to the music, how does it make you feel? |
Learners take a nature walk and are guided in listening and identifying sounds in the environment |
Regalia charts |
Observation Oral questions |
|
6 |
|
LISTENING AND RESPONDIN G |
Elements of Music |
By the end of the lesson the learner should be able to: respond imaginatively to sounds in the environment through movement or imitation for enjoyment |
When you listen to the music, how does it make you feel? |
Learners listen and respond to sounds in the environment through; movement, vocalization, imitation and discussions |
Regalia charts |
Observation Oral questions |
|
7 |
|
LISTENING AND RESPONDING |
Elements of Music |
By the end of the lesson the learner should be able to: identify the character of musical pieces for emotional expression |
When you listen to the music, how does it make you feel? |
Learners are guided in identifying and describing the character of selected pieces of music as either sad or happy |
Regalia charts |
Observation Oral questions |
|
8 |
|
LISTENING AND RESPONDING |
Elements of Music |
By the end of the lesson the learner should be able to: imitate rhythmic and melodic patterns of music to enhance listening skills, |
When you listen to the music, how does it make you feel? |
describe the elements of music used using music terminology: loud/ soft (dynamics), fast/ slow (Tempo), high/ low (Pitch), long /short |
Regalia charts |
Observation Oral questions |
|
9&10 |
|
ASSESSMENT |
|
ASSESSMENT |
ASSESSMENT |
ASSESSMENT |
ASSESSMENT |
ASSESSMENT |
|
Music Schemes - Grade 1 Schemes of Work Term 2 2023
Week |
Lesson |
Strand |
Sub-Strand |
Specific Learning Outcome |
Key Inquiry Question |
Learning Experiences |
Learning Resources |
Assessment |
Remarks |
1 |
1 |
Musical Instruments |
|
By the end of the sub strand, the learner should be able to: a) Sign name different types of percussion instruments that can be used to accompany singing and dancing |
Which musical instruments are used while singing or dancing? |
Learners look at real Instruments, videos, pictures and are guided in identifying them. Learners feel vibrations of different percussion instruments and sign name them. |
Signed questions, portfolio, observation, check lists |
Audiovisual excerpts of musical instruments Musical instruments Charts of musical instruments Locally available recyclable materials |
|
2 |
1 |
Musical Instruments |
|
By the end of the sub strand, the learner should be able to: Sign name different types of percussion instruments that can be used to accompany singing and dancing |
Which instruments are played by striking? |
In groups and individually learners are guided in improvising body percussions by tapping, clapping, stamping etc. to accompany signed song |
Signed questions, portfolio, observation, check lists |
Audiovisual excerpts of musical instruments Musical instruments Charts of musical instruments Locally available recyclable materials |
|
3 |
1 |
Musical Instruments |
|
By the end of the sub strand, the learner should be able to improvise body percussions to accompany signed songs |
Which instruments are played by shaking? |
Individually and in groups, learners are guided to improvise different percussions using locally available materials such as rhythm sticks, shakers, rattles and drums and encouraged to share them with others |
Signed questions, portfolio, observation, check lists |
Audiovisual excerpts of musical instruments Musical instruments Charts of musical instruments Locally available recyclable materials |
|
4 |
1 |
Musical Instruments |
|
By the end of the sub strand, the learner should be able to improvise percussion instruments using locally available materials |
What is the role of instruments in a song? |
Learners take turns playing the beat or a rhythmic pattern on improvised percussion instruments as the rest sign familiar songs, or during story signing time. |
Signed questions, portfolio, observation, check lists |
Audiovisual excerpts of musical instruments Musical instruments Charts of musical instruments Locally available recyclable materials |
|
5 |
1 |
Musical Instruments |
|
By the end of the sub strand, the learner should be able to improvise percussion accompaniment to signed songs and dances. |
What is the role of instruments in a song? |
Learners take turns playing the beat or a rhythmic pattern on improvised percussion instruments as the rest sign familiar songs, or during story signing time. |
Signed questions, portfolio, observation, check lists |
Audiovisual excerpts of musical instruments Musical instruments Charts of musical instruments Locally available recyclable materials |
|
6 |
1 |
|
Dance |
By the end of the sub strand the learner should be able to: identify various occasions during which dance is performed in the society |
During which occasions/event s do you dance? |
Learners to identify occasions during which dance is performed in the society. Learners watch relevant recordings of different dances for experience purposes and dance freely |
Audio-visual excerpts of dance Audio-visual equipment Dance costumes and props. Multi-cultural musical instruments |
Signed questions, portfolio, observation, check lists |
|
7 |
1 |
|
Dance |
By the end of the sub strand the learner should be able to develop an awareness of body parts leading to their appropriate use in dance |
During which occasions/event s do you dance? |
Learners to identify occasions during which dance is performed in the society. Learners watch relevant recordings of different dances for experience purposes and dance freely |
Audio-visual excerpts of dance Audio-visual equipment Dance costumes and props. Multi-cultural musical instruments |
Signed questions, portfolio, observation, check lists |
|
8 |
1 |
|
Dance |
By the end of the sub strand the learner should be able to apply body movements that are part of daily experience in a variety of ways in dance |
Why do people dance? Which are some of the body movements we make every day? |
Learners to identify and use different body parts/zones and to freely execute dance movement. Learners identify and use body movements that are part of daily experience (waving, matching, shoulder-shrugging, nodding, sweeping motion) in dance |
Audio-visual excerpts of dance Audio-visual equipment Dance costumes and props. Multi-cultural musical instruments |
Signed questions, portfolio, observation, check lists |
|
9 |
1 |
|
Dance |
By the end of the sub strand the learner should be able to respond to movement and vibrations/music in a variety of ways for enjoyment |
Why do people dance? Which are some of the body movements we make every day? |
Learners to identify and use different body parts/zones and to freely execute dance movement. Learners identify and use body movements that are part of daily experience (waving, matching, shoulder-shrugging, nodding, sweeping motion) in dance |
Audio-visual excerpts of dance Audio-visual equipment Dance costumes and props. Multi-cultural musical instruments |
Signed questions, portfolio, observation, check lists |
|
10 |
1 |
|
Dance |
By the end of the sub strand the learner should be able to apply locomotors and non-locomotors movements in creating own dance; |
Which parts of the body are commonly used when dancing? |
Individually and in groups learners are guided in appropriate use of time, space, energy and relationships (elements of dance) in dance performance |
Audio-visual excerpts of dance Audio-visual equipment Dance costumes and props. Multi-cultural musical instruments |
Signed questions, portfolio, observation, check lists |
|
11 |
END OF TERM ASSESSMENT AND CLOSING |
Music Schemes - Grade 1 Schemes of Work Term 1 2023
Week |
Lesson |
Strand |
Sub strand |
Specific learning outcome |
Key inquiry question |
Learning experiences |
Learning resources |
Assessment |
Remarks |
1 |
1 |
Performing |
Songs |
By the end of the sub strand the learner, should be able to: sign name types of songs performed for different purposes in the community; sign a variety of simple songs in unison from different cultures for enjoyment, cultural preservation, and advancement |
During which activities do you sing while at home? |
Learners sign name types of songs performed in the community. |
|
Signed questions, portfolio, observation, check lists, adjudication using performance rubric |
|
2 |
1 |
Performing |
Songs |
By the end of the sub strand the learner, should be able to demonstrate the steady beat (pulse) by tapping/ stamping/clapping when sign singing familiar songs for beat familiarization |
During which activities do you sing while at home? |
Learners are guided to observe am variety of live or recorded songs and be probed to identify possible occasions of when the songs are performed |
|
Signed questions, portfolio, observation, check lists, adjudication using performance rubric |
|
3 |
1 |
Performing |
Songs |
By the end of the sub strand the learner, should be able to sign verse 1 of the Kenya national anthem in English for cohesion and peaceful co-existence; |
Which songs do you like singing? |
Learners are guided in sign signing various types of songs e.g. story songs, lullabies, patriotic songs, action songs, sacred songs and other topical songs on pertinent and contemporary issues paying attention to accuracy in rhythm. Learners are guided in applying expressive elements of music (loud, soft, fast, slow) while sign singing different types of songs. |
|
Signed questions, portfolio, observation, check lists, adjudication using performance rubric |
|
4 |
1 |
Performing |
Songs |
By the end of the sub strand the learner, should be able to state the official occasions during which the national anthem is performed for self-esteem |
Why do you sing? |
Learners are guided in sign signing various types of songs e.g. story songs, lullabies, patriotic songs, action songs, sacred songs and other topical songs on pertinent and contemporary issues paying attention to accuracy in rhythm. Learners are guided in applying expressive elements of music (loud, soft, fast, slow) while sign singing different types of songs. |
|
Signed questions, portfolio, observation, check lists, adjudication using performance rubric |
|
5 |
1 |
Performing |
Songs |
By the end of the sub strand the learner, should be able to apply expressive elements of music through sign singing for communication |
How do you feel when you sing? |
Learners are guided in identifying and discussing important issues in topical and patriotic songs such as social cohesion, health etc. |
|
Signed questions, portfolio, observation, check lists, adjudication using performance rubric |
|
6 |
1 |
Performing |
Songs |
By the end of the sub strand the learner, should be able to express ideas, feelings and emotions through sign singing for creativity; |
What do the songs that you sing talk about? When do we sing the Kenya National anthem? |
Learners are guided in identifying the beat in familiar songs by tapping, clapping and dynamics to express feelings, ideas and emotions while sign singing. In groups, learners are guided in sign singing and dramatizing of stories and action songs Individually and in groups learners are guided in sign singing verse 1 of the Kenya National anthem paying attention to accuracy in sign and, rhythm. |
|
Signed questions, portfolio, observation, check lists, adjudication using performance rubric |
|
7 |
1 |
Performing |
Songs |
By the end of the sub strand the learner, should be able to appreciate and enjoy sign singing songs from diverse cultures; appreciate sign singing songs from diverse cultures for enjoyment. |
What do the songs that you sing talk about? When do we sing the Kenya National anthem? |
In pairs and in groups learners sign songs from diverse cultural sources |
|
Signed questions, portfolio, observation, check lists, adjudication using performance rubric |
|
8 |
1 |
Performing |
Singing Games |
By the end of the sub strand the learner, should be able to: perform various signed singing games drawn from the local culture for enjoyment; |
Do you sing as you play? What songs do you sing during play |
Learners are guided to watch a variety of live or recorded singing games from the locality |
|
Signed questions, portfolio, observation, adjudication, check lists |
|
9 |
1 |
Performing |
Singing Games |
By the end of the sub strand the learner, should be able to apply the aspects of sign singing, movement, props and costumes in performing signed singing games for creativity and imagination observe safety during performance of signed singing games; |
Name some of the materials or objects used during play. |
Learners perform age appropriate signed singing games with game aspects, movements and proper use of props and costumes observing safety |
|
Signed questions, portfolio, observation, adjudication, check lists |
|
10 |
1 |
Performing |
Singing Games |
By the end of the sub strand the learner, should be able to practice etiquette during performance of signed singing games and share available resources equitably for integrity appreciate performing signed singing games from the local culture for enjoyment. |
What roles do you like taking during play? |
In groups and individually learners are guided in performing signed singing games from the local cultures |
|
Signed questions, portfolio, observation, adjudication, check lists |
|
Grade 6 KLB Visionary Music - Grade 6 Schemes of Work Term 1 2023
GRADE 6 KLB VISIONARY MUSIC
SCHEMES OF WORK TERM 1 2023
SCHOOL |
GRADE |
LEARNING AREA |
TERM |
YEAR |
|
6 |
MUSIC |
1 |
2023 |
Week |
Lesson |
Strand |
Sub strand |
Specific learning outcomes |
Learning experiences |
Key inquiry questions |
Learning resources |
Assessment |
Remarks |
1 |
1 |
SONGS |
Singing different type of songs with expressions |
By the end of the sub strand, the learner should be able to:
|
|
What is a song? |
Grade 6 KLB visionary Music Learners book page 1 |
Written Quizzes Oral questions Performance |
|
|
2 |
|
Things to know singing different types of songs with expressions |
By the end of the sub strand, the learner should be able to:
|
|
How do you express your mood? |
Grade 6 KLB visionary Music Learners book page 2-5 |
Written Quizzes Checklists Oral questions performance |
|
|
3 |
|
Appraising self and others’ performances |
By the end of the sub strand, the learner should be able to:
|
|
What is appraisal? |
Grade 6 KLB visionary Music Learners book page 6-9 |
Written Quizzes Practical’s Oral questions performance |
|
2 |
1 |
|
Singing 2 and 3 -part songs in a duet and trio |
By the end of the sub strand, the learner should be able to:
|
|
What is a duet? |
Grade 6 KLB visionary Music Learners book page 10-12 |
Written Quizzes Oral questions Performance |
|
|
2 |
|
Values and messages in songs |
By the end of the sub strand, the learner should be able to:
|
with the help of a teacher open the link on leaners book and watch and listen to a song or sing a familiar song that has a positive message |
What message do get from a song? |
Grade 6 KLB visionary Music Learners book page 12-16 |
Written Quizzes Checklists Oral questions performance |
|
|
3 |
|
Importance of songs |
By the end of the sub strand, the learner should be able to:
|
|
What is the importance of songs |
Grade 6 KLB visionary Music Learners book page 16-18 |
Written Quizzes Practical’s Oral questions performance |
|
3 |
1 |
Kenyan folk songs |
Different type of songs |
By the end of the sub strand, the learner should be able to:
|
Learners to be guided to Observe pictures in learners’ book and discuss type of songs likely to be performed in the pictures |
What Kenyan folk song do you know? |
Grade 6 KLB visionary Music Learners book page 19 |
Written Quizzes Oral questions Performance |
|
|
2 |
|
Things to know about performing different types of songs |
By the end of the sub strand, the learner should be able to:
|
|
When do we perform Kenyan folk songs? |
Grade 6 KLB visionary Music Learners book page 20 |
Written Quizzes Checklists Oral questions performance |
|
|
3 |
|
Role of different types of songs |
By the end of the sub strand, the learner should be able to:
|
|
Why do people sing in funerals? |
Grade 6 KLB visionary Music Learners book page 20-21 |
Written Quizzes Practical’s Oral questions performance
|
|
4 |
1 |
|
Performance of folk songs |
By the end of the sub strand, the learner should be able to:
|
|
What factors do you consider when performing songs? |
Grade 6 KLB visionary Music Learners book page 21-24 |
Written Quizzes Oral questions Performance |
|
|
2 |
|
Performing a solo folk song |
By the end of the sub strand, the learner should be able to:
|
|
Have you ever seen a solo performance? |
Grade 6 KLB visionary Music Learners book page 25 |
Written Quizzes Checklists Oral questions performance
|
|
|
3 |
|
Things to know about performing a solo folk song |
By the end of the sub strand, the learner should be able to:
|
|
What do you consider in solo folk song performance? |
Grade 6 KLB visionary Music Learners book page 25-29 |
Written Quizzes Practical’s Oral questions performance |
|
5 |
1 |
|
Features of a folk song |
By the end of the sub strand, the learner should be able to:
|
Learners to be guided by a teacher in groups to open a link on leaners book using a n internet enabled device and watch a folk song performance from Mijikenda community |
What features of folk songs do you know? |
Grade 6 KLB visionary Music Learners book page 29-31 |
Written Quizzes Oral questions Performance |
|
|
2 |
|
Appreciating the importance of performing folk songs from diverse communities |
By the end of the sub strand, the learner should be able to:
|
Learners to sing a work folk song from own community and a marriage folk song from a different community |
Why should we appreciate folk song? |
Grade 6 KLB visionary Music Learners book page 32-33 |
Written Quizzes Checklists Oral questions performance |
|
|
3 |
|
Information from a cultural centre or a music festival |
By the end of the sub strand, the learner should be able to:
|
|
Where can you get information about folk songs? |
Grade 6 KLB visionary Music Learners book page 34-36 |
Written Quizzes Practical’s Oral questions performance |
|
6 |
1 |
Musical instruments |
String instrument of Kenya |
By the end of the sub strand, the learner should be able to:
|
|
What is obokano? |
Grade 6 KLB visionary Music Learners book page 37 |
Written Quizzes Oral questions Performance |
|
|
2 |
|
Things to know about string instruments of Kenya |
By the end of the sub strand, the learner should be able to:
|
|
Do you have a string instrument from your community? |
Grade 6 KLB visionary Music Learners book page 37-41 |
Written Quizzes Checklists Oral questions performance |
|
|
3 |
|
Parts of a fiddle and their function |
By the end of the sub strand, the learner should be able to:
|
|
What is a fiddle? |
Grade 6 KLB visionary Music Learners book page 41-45 |
Written Quizzes Practical’s Oral questions performance |
|
7 |
1 |
|
Care and maintenance of a string instrument |
By the end of the sub strand, the learner should be able to:
|
|
What is wrong with instrument in learners’ book? |
Grade 6 KLB visionary Music Learners book page 45 |
Written Quizzes
Oral questions Performance |
|
|
2 |
|
Things to know about care and maintenance of a string instrument |
By the end of the sub strand, the learner should be able to:
|
|
How do we take care of string instruments? |
Grade 6 KLB visionary Music Learners book page 46-48 |
Written Quizzes Checklists Oral questions performance |
|
|
3 |
|
Tuning a fiddle |
By the end of the sub strand, the learner should be able to:
|
|
What happens when a string is loosened? |
Grade 6 KLB visionary Music Learners book page 48 |
Written Quizzes Practical’s Oral questions performance |
|
8 |
1 |
|
Skills and techniques of playing a fiddle |
By the end of the sub strand, the learner should be able to:
|
|
What skill do you need to play a fiddle? |
Grade 6 KLB visionary Music Learners book page 48-51 |
Written Quizzes Oral questions Performance |
|
|
2 |
|
Role of string instrument in a performance |
By the end of the sub strand, the learner should be able to:
|
|
Can you accompany folk song with a string instrument? |
Grade 6 KLB visionary Music Learners book page 51-53 |
Written Quizzes Checklists Oral questions performance |
|
|
3 |
|
Making a fiddle |
By the end of the sub strand, the learner should be able to:
|
|
What do we need to make a fiddle? |
Grade 6 KLB visionary Music Learners book page 53-54 |
Written Quizzes Practical’s Oral questions performance |
|
9 |
1 |
|
Safety measures |
By the end of the sub strand, the learner should be able to:
|
|
What are the steps followed when making a fiddle? |
Grade 6 KLB visionary Music Learners book page 54-55 |
Written Quizzes Oral questions Performance |
|
|
2 |
|
Playing in an instrumental group |
By the end of the sub strand, the learner should be able to:
|
|
Which string instrument can you play? |
Grade 6 KLB visionary Music Learners book page 55 |
Written Quizzes Checklists Oral questions performance |
|
|
3 |
REVISION |
|||||||
10 |
END TERM ASSESSMENT |
Music Activities - Grade 5 Schemes of Work Term 2 2023
MUSIC ACTIVITIES
Wk |
Lsn |
Strand/ Theme |
Sub strand |
Specific learning outcomes |
Key inquiry Questions |
Learning experiences |
Learning Resources |
Assessment methods |
Ref l |
1 |
OPENING/PREPARATIONS |
|
|||||||
2 |
1 |
PERFOR MING |
Kenyan folk songs : singing a folk song |
By the end of the sub strand, the learner should be able to:
|
1. Why is it important to learn folk songs from different communities in Kenya? 2. What makes a folk song? |
|
|
Observation checklists
|
|
3 |
1 |
Kenyan Indigenous Instruments -Wind Instruments |
By the end of the sub strand, the learner should be able to:
|
|
Learners view
|
|
Observation checklists
|
||
4 |
1 |
|
Kenyan Indigenous Musical Instruments - |
By the end of the sub strand, the learner should be able to:
|
|
|
|
Observation check list
|
|
5 |
1 |
Kenyan Indigenous Musical Instruments - Wind Instruments |
By the end of the sub strand, the learner should be able to:
|
|
|
|
Observation check list
|
||
6 |
1 |
Making a wind Instrument |
By the end of the sub strand, the learner should be able to:
|
|
In groups learners
|
Resource persons
|
Observation check list
|
||
7 |
1 |
Western Musical Instruments - Descant Recorder |
By the end of the sub strand, the learner should be able to:
|
|
Resource persons
|
Resource persons
|
Observation check list
|
||
8 |
1 |
Western Musical Instruments- Descant Recorder |
By the end of the sub strand, the learner should be able to:
|
|
Resource persons
|
Resource persons
|
Observation check list
|
||
9 |
1 |
Western Musical Instruments - Descant Recorder |
By the end of the sub strand, the learner should be able to:
|
|
Resource persons
|
Resource persons
|
Observation check list
|
||
10 |
1 |
Kenyan Folk Dances : Roles of participants in a folk song |
By the end of the sub strand, the learner should be able to:
|
|
|
|
|
||
11 |
1 |
Kenyan Folk Dances : Roles of ornaments/costumes in a folk dance |
By the end of the sub strand, the learner should be able to:
|
|
|
|
|